By analyzing history's richest examples of architecture, from Versailles’s landscape design over Isfahan’s mosques interiors, to art nouveau furniture it becomes clear that interiority is an entity irreducible to a collage of its individual components, such as furniture, material, structure, ornament, etc., but rather a multitude of nested systems creating both visual and architectural complexity not by their separateness but through their interrelatedness. Therefore our primary interest is in the “in-betweeness” of interiorities, the transition between one atmosphere to another, the overall coherency throughout several systems or spaces. To achieve this we set up a basic field logic, which by negotiating between points of attraction generates a primary intensity map of spatial differences. This data set was used to generate rough, diagrammatic spaces, which were further refined by secondary systems to create the building`s components such as structure, apertures or façade.
